In the tiny town of Titan Falls, New Hampshire, the paper mill dictates a quiet, steady rhythm of life. But one day a tragic bus accident sets two families on a course toward destruction, irrevocably altering the lives of everyone in their wake.
June McAllister is the wife of the local mill owner and undisputed first lady in town. But the Snow family, a group of itinerant ne'er-do-wells who live on a decrepit and cursed property, have brought her—and the town—nothing but grief.
June will do anything to cover up a dark secret she discovers after the crash, one that threatens to upend her picture-perfect life, even if it means driving the Snow family out of town. But she has never gone up against a force as fierce as the young Mercy Snow. Mercy is determined to protect her rebellious brother, whom the town blames for the accident, despite his innocence. And she has a secret of her own. When an old skeleton is discovered not far from the crash, it beckons Mercy to solve a mystery buried deep within the town's past.
PARTICULARS OF THE BOOK :
Published by: Grand Central Publishing/Hachette Book Group
Pages: 321
Genre: Contemporary Fiction
Author: Tiffany Baker
Website: http://www.TiffanyBaker.com
Purchase this book: Barnes & Noble and Amazon
ABOUT THE AUTHOR :
Tiffany Baker’s Recipe For A Writing Life
A handful of islands: Belvedere, Aquidneck, Balboa, Manhattan, Corsica, Maui, the UKStart with the islands. Move from one to another up through your twenties. Add a graduate degree in creative writing from UC Irvine and then a PhD in Victorian literature for extra flavor, plus a smattering of tragic relationships. Move to New York to teach humanities, drink expensive cocktails, and give up on men.
Three small children: Two girls and a boy, plump in the cheeks and knees. Strong-willed but sweet when kissed.
One husband
Indecent amounts of chocolate and coffee
A view of a grassy ridge and an old gum tree
Go hiking on Corsica with your mother. Meet your future husband. Move to England to be with him.
Add the first child to the mix and marinate. Return to the US, to the town where you began. Wonder what you’re doing home again. Gradually, fold in one, additional child until life is thick and hard to stir.
Decide to write a novel. Get pregnant again in the meantime, but refuse to give up writing. Finish the novel and get rejected. Repeat as necessary until the mixture becomes glue-like and unappetizing.
Finally, find the world’s most perfect agent who performs a miracle and sells your novel to the world’s best editor. Revise the novel many times, until it congeals. Do a victory dance.
Begin Book 2, having forgotten how hard writing a book is. Eat obsessive amounts of chocolate and decide what you’re doing isn’t half-bad. Gain an undisclosed amount of weight and take up jogging.
Every day, take a long walk on the grassy ridge. Stop at the gum tree, breathing deeply. Stare across the hill at your house where your children and husband are. Hope your cypress tree isn’t really dying. Hope for enough rain in the coming season. Hope for world peace. Finally, really, really hope people enjoy your book. Hope they like the second one even more.
Bon Vivant!
AN INTERVIEW WITH TIFFANY!!
We are so happy to be able to bring this interview with Tiffany Baker to you today. Tiffany is one of my favorite authors, and I'm so delighted to get to know her better. Here's the interview:
1) Tell us something about yourself, please. How do most people describe you?
The person I am in my day-to-day life is different than my writing self, and I always find it startling when those two worlds collide. In “real” life, I’m messy, laissez-faire about too many things, a short-tempered driver, wildly affectionate with my children, and a little snarky. My writing self is more composed, somewhat melancholy, and very introverted. I always find it challenging when someone I know from one context—a neighbor, for instance—tells me he or she is reading my book. It’s a little like standing in front of people in your underwear.
2) Briefly, from where did the idea for your novel germinate?
Mercy Snow is based on the Antigone myth, believe it or not, which is the story of a young girl whose brother has died in battle against Thebes going up against the corrupt king so she can bury her sibling. It’s a story about individual power versus the state, about private moral authority versus social convention. I transposed the story to a dying mill town on the Androscoggin river—a one-company town which doesn’t welcome outsiders, and which can’t survive the changes happening to it. In one version of the Antigone story, the king’s wife weaves throughout the play, and so I took that element and used it to create June’s sewing circle. It was interesting for me to realize that the core conflict of such an ancient story can still hold absolutely true, even when the setting and characters morph into modern times.
3) Who first told you you could write well, and how did it affect you?
I suppose it must have been a teacher. I had so many wonderful grade school teachers—in particular my sixth-grade teacher, who was so kind and patient. I used to come home from school, and type stories on my electric typewriter, lost in my own world for hours. Then, in high school, I was lucky enough to be allowed to do a year-long independent study in creative writing. That teacher introduced me to contemporary poetry, and challenged me to raise the intellectual bar. The most important thing all of these people did for me was to expose me to other writers, and to get me to see that writing is a continuum, a conversation I could join if I wanted.
4) Which contemporary authors do you most admire?
There is this whole pack of contemporary women writers who are just killing it lately. People like Rachel Kushner, Ann Patchett, Curtis Sittenfeld, Zadie Smith, Elizabeth Gilbert, Donna Tartt, Hannah Kent, Claire Messud, Karen Russell. It’s very inspiring. There’s so much to read.
5) Who are your favorite classical authors?
I love Emily Dickinson, and the Bronte sisters. I also really love Greek myths and the stories from the Old Testament because they are pure story—large in scale and character. And, finally, I’ve never outgrown fairy tales. I used to read Russian ones when I was little, and still love the real Grimm tales, the ones full of gore, and scary witches, and transformations. They are brutal and magical at once.
6) What was your first book as a child? What’s your all time favorite book?
When I was tiny, I remember being obsessed with Go Dog, Go. Then, when I had children, I fell in love with it all over again—the zany drawings, the ridiculous hats the girl dog wears, the simple humor. It’s a fantastic kids’ book. But my all-time favorite book is Jane Eyre, which I read when I was nine years old and touring around England with my parents. Mr. Rochester still makes me weak in the knees, and is there any better sentence than, “Reader, I married him?” No, there is not.
7) Read any good books in the past 6 months?
I loved A Constellation of Vital Phenomena by Anthony Marra, and Burial Rites by Hannah Kent. Such beautiful and interesting writing and such haunting stories that bring distant worlds close.
8) What’s the worst job you’ve ever had?
I spent a summer scooping ice cream once. I developed a weird muscle bulge on my forearm and an aversion to sticky children and anything frozen. Oh, and I worked in a plastics factory on a kibbutz in Israel. I loved the kibbutz, but working in the factory made me grateful that I was going to go to college so I could lead a life of the mind.
9) What’s your earliest memory?
When I was very small, I lived in West Berlin with my parents. I can remember walking along and running my hand against the wall, which had graffiti on it. It’s odd to me in a wonderful way that the city of that memory is gone.
10) What’s your most treasured possession?
I’m very attached to some of the furniture I have, which I grew up with, and which has moved around with me. Wherever I go those pieces—creaky wooden chairs, lopsided armoires, Turkish rugs—make it feel like home. I’m also rather fond of my wedding band—plain gold with an inscription I love—and my husband’s oar from Cambridge, which is hanging on the dining room wall.
11) Are you working on a new novel?
Yup. It’s something I’ve been thinking about for years, and is a little different than the other things I’ve done, so I’m taking my time with it. The more books I write, the more I’m realizing that you save yourself a lot of headaches if you take your time with a first draft. I’m very excited about my new project, and right now it’s a luxury to have it all to myself. In the meantime, I hope everyone enjoys Mercy Snow. Thank you!
